One could see La Poncia as a compassionate voice of reason to balance Bernarda were it not for what she said in private in the first act and Lorca's dialogue notes, which insist that La Poncia delivers her speeches "cruelly." An introductory lesson based only on act 2 with main quotes, main vocabulary, reading comprehension activities, summaries and essay writing questions. Read the Study Guide for The House of Bernarda Alba…, Introduction to The House of Bernarda Alba, View the lesson plan for The House of Bernarda Alba…, View Wikipedia Entries for The House of Bernarda Alba…. Again, there is a contradiction of love and hatred in the idea. La-Casa-de-Bernarda-Alba--act-2. La Casa De Bernarda Alba = The House of Bernarda Alba, Federico García Lorca The House of Bernarda Alba is a play by the Spanish dramatist Federico García Lorca.Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy".Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). Bernarda grows cruel, diminishing La Poncia by reminding her of her place. Angustias suggests she is tormented by envy and is "getting the look of a crazy woman," but Martirio shushes her as Magdalena and Adela enter. La Casa de Bernarda Alba: Act 2 Vocabulary Important Quotes Vocabulary Important Quotes La delicadeza - La fragilidad "Desde luego hay que reconocer que lo mejor que has tenido siempre ha sido el talle y la delicadeza." She is, however, a neighbor. La Poncia merely suggests to Bernarda, "open your eyes," and Bernarda quickly defends Martirio, claiming the theft was a joke. 6.1 Luna = muerte . ", Adela then accuses La Poncia of being a snoop who is feigning affection for Angustias just to cause trouble; La Poncia denies it and says she will stick to Adela like a shadow. After Adela, Magdalena, and La Poncia go to watch the departing reapers from Adela's room, Amelia and Martirio, who has her head between her hands, are left alone on stage. MAGDALENA.—Y ni nuestros ojos siquiera nos pertenecen. She does not hate her daughters, but rather hates women because their natural sexual desires in her world lead to pain. Bernarda Angustias must get married at once. As they sing about wanting to take the women away for their enjoyment, all the sisters are aroused to various degrees by the idea. To use Lorca's symbol, the storm is building. Adela barely has time to ask the maid to be discreet before Martirio and Amelia enter. The dramatic irony here as well as the extreme distinctions between the emotional states is chilling. A servant enters and calls them all to Bernarda. Cedars, S.R.. Joyce, Meghan ed. As Adela weeps, La Poncia comforts her, reminding her that the sickly Angustias will probably die in her first childbirth and then Adela will be free to marry Pepe if she pleases – "live on that hope, forget him, anything; but don't go against God's law. The opening of the act has Magdalena embroidering, a rather sad irony considering the way she expressed her disillusion with a life of embroidering in the first act. When Adela asks about the cloth Martirio is carrying, she says it is for a nightgown and Adela makes fun of her. La casa de bernarda alba acto 2. La Poncia flaunts her authority over Adela in their argument until Adela makes it clear that her pursuit of Pepe is about more than sex: "Bring four thousand yellow flares and set them about the walls of the yard. Adela wishes aloud she could be a reaper and forget "what's eating us all," and she repeats some of their song as the men's voices fade. ", Angustias enters and inquires about some perfume La Poncia was supposed to buy, and La Poncia tells her where it is. Martirio and La Poncia remind us that a woman is never seen in her nightgown, which conforms to the way men are painted in the play – they will stop caring long before they ever know the individual within. La Poncia, Act 2. Adela laments that men are forgiven everything, and Amelia adds, "To be born a woman's the worst possible punishment.". A burning coal in the place of her sin! Level 4 Level 6. For instance, the long silence between Martirio and Amelia, which is precisely notated by Lorca, creates in performance a rather haunting visceral feeling, even though the reason Martirio called Amelia back is not specified. “La Casa de Bernarda Alba” – or “The House of Bernarda Alba” in English – is a three-act play written in a time when even in WEIRD societies, While one could argue that sexuality is less of a motivation than conventional marriage, it's useful to note how, paralleling the way men are "forgiven" everything in this world, nobody ever really criticizes Pepe's rather childish and cruel double-timing. After a silence, they ask Angustias for details about her conversations with Pepe. They laugh at the story until Amelia suddenly fears Bernarda is coming and looks for her out the door. Martirio enters and corroborates the claim, saying she heard him leave at 4am. At sixty years old, she is a voice of wisdom throughout the play, albeit a wisdom tinged with class resentment and hatred of Bernarda. Para que las gentes no escupan al pasar por esta puerta. If I were rich I’d have it of finest linen. La Poncia is Bernarda's head maid, and the woman who knows Bernarda best. She says, "men need things like that." La casa de Bernarda Alba, by García Lorca All but Adela and La Poncia leave, and on the way out, Martirio "looks fixedly" at Adela, who lashes out after her, insulting her hunchback and threatening to hurt her. Level 5 Level 7. La Poncia is confused – "You like him that much?" The situation escalates until Bernarda silences them and makes clear she will not allow this "avalanche" to prevail and that she has "five chains" that will keep them in line. After everyone is gone for a moment, Martirio and Adela enter. Habla si él habla y míralo cuando te mire. After Adela, Magdalena, and La Poncia go to watch the departing reapers from Adela's room, Amelia and Martirio, who has her head between her hands, are left alone on stage.Amelia asks what ails Martirio, who answers that the "unending summertime" is draining. La Poncia is confused. The tyranny of the supposed honor and social norms are represented with great realism in the character of Bernarda, who drowns out the desire for freedom and life of the youngest of her daughters. Cedars, S.R.. Joyce, Meghan ed. The act ends with Bernarda chanting for the girl to pay for her sins, while Adela holds her belly and protests for mercy, and Martirio echoes Bernarda's sentiments while starting at Adela. Martirio then confesses she's recently been hearing something out in the yard late at night, and Amelia … La Casa de Bernarda Alba is a drama of women in the villages of Spain in the early 1930s, a great critical reflection on the customs of that time. Categories & Ages. La Poncia calls as evidence that her sons saw Pepe still outside their house at 4am, right as Angustias enters to call the claim a lie. Overview. La casa de bernarda alba act 2. Though she has hidden it, she is in fact overcome by the heat, as Lorca communicates through Martirio's sickness at the "unending summertime.". The second half of Act II sees the drama more conventionally building, through three big confrontations: Martirio directly accuses Adela of her illicit passion; Angustias confronts all the girls over the missing photo; and Bernarda refuses to heed La Poncia's warning. They hear the song of the men approaching. Adela arrives and suggests La Poncia is trying to stir up trouble from resentment. In fact, she believes it is her "duty" to force her girls into such constraints. Nació en el periodo de Restauración borbónica en España que incluyó la dictadura de Miguel Primo de Rivera bajo el monarca Alfonso XIII en los años 20. La Casa de Bernarda Alba. But when La Poncia slightly insinuates he might not be so quick to leave, Bernarda grows quickly and intensely defensive. No one can stop what has to happen." Angustias (Drily) No. Search for: la casa de bernarda alba acto 2. The tradition of women who talk to the men who court them through windows becomes a strong symbol for the natural separation between men and women. It is here that La Poncia directly accuses her of coveting Pepe el Romano. The house of bernarda alba by federico garcia lorca. La Poncia insists she keep her passions to herself and not undermine her sister. Further, the way she defends the girls against La Poncia's claims shows her deep desire to have good girls and her inherent terror to have failed them by letting them become wicked like others she has criticized. Bernarda begins to hit Martirio with her cane, though Angustias tries to hold her back. Bernarda's family is a landowning family and as such is wealthier than other families in the village. Aimed for students to work independently with the booklet but it can also be used to teach a lesson. Martirio says her nightgown will be for her alone, and La Poncia adds nobody ever sees "us in our nightgowns. Finalizó La casa de Bernarda Alba en 1936, dos meses antes de su asesinato al comienzo de la Guerra Civil española que resultó en una dictadura fascista hasta el año 1975. The provincial attitudes of the characters are on display in this section. Adela tries to deny it, but La Poncia quickly insists she has noticed irrefutable proof in the way Adela "sits almost naked" at the window when Pepe comes to meet Angustias. The fire is more than just sexual passion; she wants to be free of the repression that all the women live in, not only under Bernarda but in their world overall. The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico García Lorca.Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy". Las campanas están doblando por el finado y, mientras tanto, las dos criadas de la casa, la Poncia y otra, hablan sobre la dureza de la patrona. La Poncia reprimands Adela for that attitude, but Adela complains that Martirio hounds her, constantly spying on her and reminding her that her beauty will fade. La Casa de Bernarda Alba - English Translation Act 1 Essay 4982 Words | 20 Pages. It is telling that Bernarda's final card in the argument – one that Amelia echoes when the girls reenter – is to evoke class distinctions, to negate La Poncia's argument by reminding her that she is poor. "The House of Bernarda Alba ACT II (part one) Summary and Analysis". The doorways, illuminated by interior lighting, cast a bright glow on the stage. La Poncia is also there. Their hatreds – of class, of repression, of sex – all find an outlet in recognition and celebration of the death of another person. At that moment, a servant enters with news that something big is happening at the end of their street. There is a profound contradiction in Adela's attitude about being a woman – she seems to detest the way men are "forgiven" everything, even the pursuit and deflowering of a young woman, and yet she yearns to be a "reaper," to have that sort of freedom. GradeSaver, 12 October 2012 Web. The heat of the summer stands to relate the passion that overwhelms these women, the dark storm of the night before conforms to the impending trouble that comes from Adela's passion for Pepe, and the nightgown that Martirio sews is meant to represent the secret part of each woman. It's behavior we've come to expect, but when they leave, she privately chastises herself for her failure, revealing that she is motivated by more than cruelty. La Poncia's story is a good microcosm of it: when her husband no longer paid attention to her, she turned to violence to get his attention. Martirio cautions her not to say anything, and then, as Amelia starts to leave, calls her back. After all, La Poncia made clear earlier in the act that marriage does not satiate for long – but it will satiate in the present, and that's enough. Adela insults her and asks to be left alone. Where men are allowed any behavior they want, women must stay indoors, upholding a pretense of propriety lest they be ostracized. Adela suggests to Magdalena and La Poncia that they watch from her room, and as they exit, La Poncia warns them not to open the window too wide since the men would then fight over each other to see who is looking. La casa de Bernarda Alba está de regreso! ", They hear bells outside, calling the men back to work, and the girls wonder whether it's miserable to work in such heat. 2. She is, however, a neighbor. The House of Bernarda Alba study guide contains a biography of Federico García Lorca, literature essays, quiz questions, major themes, characters, and a full summary and analysis. This explains much of both Bernarda's disdain for lower class people and her daughters' aloofness. Throughout the play, what are the main characteristics of La Poncia? But they mostly remain silent until Angustias bursts in. Copyright © 1999 - 2021 GradeSaver LLC. Bernarda insists wildly and excitedly that the death is deserved. Lorca continues to use symbols in deliberately intense ways. 19 thoughts on “La Casa de Bernarda Alba- Actos 1 y 2” ervisc20 says: April 11, 2018 at 12:36 am. They wonder why Adela has seemed so scared lately, and Angustias vocally looks forward to being "out of this hell.". La Casa de Bernarda Alba Vocabulary Act 2 Learn with flashcards, games, and more — for free. Revivan esta maravillosa historia y recorran los cuartos, la casa y el encierro a través de esta experiencia. Act III (Four white walls, bathed in pale blue light, in the internal courtyard of Bernarda’s house.It is night. Martirio tries to explain she only stole the photo as a joke, but Adela attacks her verbally, claiming Martirio had "something else burning in her breast" that she wanted to "break out." At sixty years old, she is a voice of wisdom throughout the play, albeit a wisdom tinged with class resentment and hatred of Bernarda. It was completed in June 1936, a couple of months before his death. Lorca again merges his themes of class and sex, so that the two inform each other and morph into a situation that comments on death. Start studying La casa de Bernarda Alba Act 2. The Question and Answer section for The House of Bernarda Alba is a great This explains much of both Bernarda's disdain for lower class people and her daughters' aloofness. GradeSaver, 12 October 2012 Web. When she learns the cause and nobody owns up to stealing the photo, she sends La Poncia to search their rooms.
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